Sam Kelly acknowledged that there were some sleepless nights while he spearheaded a two-year initiative aimed at restoring a prized stained-glass window in Salisbury Cathedral, crafted by Edward Burne-Jones and William Morris.
“It would be inaccurate to claim that I didn’t have moments of restlessness,” remarked the head glazier. “You are engaged with something immensely valuable, and if it were to fall, the consequences would be dire.”
Fortunately, the “Angels” window, measuring 6.5 meters (21 feet) in height, remained intact during the restoration process. The achievement has been celebrated as a resounding success, with the artwork set to be honored and rededicated during an evensong service this week.
The window, created in the late 19th century by pre-Raphaelite luminaries Burne-Jones and Morris, has faced challenges over the past century and a half due to water damage, condensation, and the gradual degradation of its painted details, prompting the need for restoration.
Having begun his career as an apprentice at the cathedral four decades ago, Kelly now oversees the maintenance of all stained-glass installations. He recounted that the initial step in February 2024 involved the careful removal of the substantial window from its location above the south quire aisle. “It wasn’t very secure, so we had to handle it with caution to avoid further damage,” he explained.
Once safely transported to the on-site workshop, the window underwent meticulous documentation, both to facilitate the restoration strategy and to ensure future caretakers of the cathedral’s stained glass would have a comprehensive record of the work completed.
The window illustrates “angeli ministrantes” and “angeli laudantes,” which represent ministering and praising angels. Burne-Jones was responsible for the angelic figures, while Morris designed the intricate leaf patterns surrounding them.
Kelly, alongside his colleagues Vicky Pearce, Kate Kersey, and Alfie Durrant, diligently cleaned the glass to restore its original vibrancy. “This process brightened the overall appearance,” Kelly noted.
In reference to Burne-Jones’s original chalk design, the team reinstated lost details onto a 2mm thick “backing glass,” ensuring no alterations were made to the antique glass itself. “The original glass has only undergone light cleaning,” Kelly emphasized. “All additional details are now placed on the backing glass.”
To further protect the window, new oak frames and protective glazing were installed, aimed at preventing future deterioration.
Kelly expressed satisfaction with the final outcome. “We have gained significant insights into the history and craftsmanship of this window, and it is gratifying to know that our efforts will enable future generations to appreciate it.”
The dean of Salisbury, the Very Rev Nicholas Papadopulos, commended the restoration team, stating, “Their meticulous efforts have rejuvenated the contours, clarity, and colors of this 19th-century masterpiece.”
“We take pride in the fact that the artistry has been preserved and enhanced with contemporary techniques. Sunlight will once again illuminate Burne-Jones’s angels, lifting our spirits and renewing our hope for many years to come,” he added.
The restored window is accessible in the south quire aisle and will be rededicated during the evensong service on May 7 at 5:30 PM.
