The film that captivated me from its absurd and surreal opening scene at a gas station on a rural Brazilian road is “The Secret Agent,” directed by Kleber Mendonça Filho. The character Armando is fleeing from a corrupt corporate official intent on exploiting his academic knowledge for personal gain. Armando is aware that such an arrangement could tarnish his scholarly reputation, yet his refusal to comply places him in danger, creating a chilling antagonist in Ghirotti. This film is nothing short of remarkable. – Liz, London
My favorite film of 2026 thus far is “Disclosure Day.” This movie transcends the typical alien narrative, delving into themes of truth, trust, empathy, and people’s reactions when their perceptions are challenged. – Philip Dodd, 40, Walsall
“Song Sung Blue” was far from what I anticipated. I expected a lighthearted, albeit somewhat cheesy, story about a Neil Diamond impersonator, but instead, I encountered a narrative so genuinely shocking that nothing else this year has surpassed it. The performances were exceptional, and despite some darker moments, the film offered necessary humor. Most importantly, it felt crafted to entertain its viewers rather than merely to earn awards. – Helena Bortkiewicz, 59, Brighton
“The Bride!” was an exhilarating yet frustrating experience, showcasing a filmmaker willing to take risks. Jessie Buckley’s performance was outstanding, making the audience empathize with a character who might have otherwise felt flat in different hands. The film features delightful musical segments, moments of genuine humor, and establishes Maggie Gyllenhaal as a director to watch. – Paul Clarke, 57, Taplow
My top film of 2026 so far is “Backrooms,” directed by Kane Parsons. My husband and I caught it during its opening week at Laugarásbíó cinema in Reykjavik, Iceland, during our vacation, which enhanced the experience in a quality venue. The combination of Chiwetel Ejiofor and Renate Reinsve in lead roles was unbeatable, and it’s refreshing to see prominent actors in horror films, especially from a debut director. The production design was remarkable, featuring over 30,000 square feet of sets, a feat in this era dominated by CGI. The film’s gradual build-up of tension, coupled with its unsettling soundtrack, evoked a deep sense of discomfort that resonated with my background as a former retail employee. It’s a distinctive and eerie film from a promising young director, marking a new golden age for horror, which I wholeheartedly embrace. – Sylvia Rowe, 58, Jackson, Tennessee, US
As for me, “Hamnet” ranks as my favorite film of 2026 to date. The performances were incredibly strong and convincing. Jessie Buckley’s depiction of grief was heart-wrenching, capturing both desperation and stillness beautifully. I believe Paul Mescal deserves more recognition for his performance, as he excelled in his role. A particularly moving moment was when he took over lines from another actor, which brought me to tears. English isn’t my first language, and I often struggle with Shakespeare, yet this film allowed me to truly understand and feel his work for the first time. – Jade, 22, Paris, France
“The Drama” presents a concise, impactful narrative centered on alcohol-fueled misadventures, highlighted by four compelling performances. Although Zendaya and Robert Pattinson garnered most of the attention, Alana Haim delivered my top performance of the year so far. Even while portraying a character who locks a child away, Haim managed to keep the audience engaged. The narrative kept me enthralled, filled with the constant hope for redemption for the couple, though certainly not for Alana’s character, whom I wouldn’t want to encounter again. After writing this, I’m off to relisten to the soundtrack. – Paul, 53, Northamptonshire
“Nouvelle Vague” is a self-aware homage to Godard that, in true Richard Linklater fashion, weaves a profound and heartwarming story through humorous and delightful moments. It offers an entertaining glimpse into the film-making world and the roots of the French New Wave. – Moteur Raoul! – Sarah, Dublin
“The Mandalorian and Grogu” marks a triumphant return to family-friendly cinema, brimming with heart, adventure, and unabashed fun. I watched it with my teenage son, who also thoroughly enjoyed it. We returned two days later with a friend and his two teenagers, all of whom were equally thrilled by the film. I find it perplexing that critics have been harsh on this delightful piece of entertainment! – Jim Melin, 56, Göteborg, Sweden
For sheer enjoyment in a cinematic experience, “Project Hail Mary” is my favorite so far. The character Rocky was incredibly engaging, Ryan Gosling delivered a fantastic performance, and Greig Fraser’s cinematography was breathtaking. I’ve seen it twice in theaters. – Cathy, Sydney, Australia
I have watched “Obsession” seven times, more than any other film this year. The fuller the cinema, the more enjoyable it is, as the audience’s reactions—ranging from laughter to gasps—enhance the experience. I can’t recall the last film that evoked such visceral responses from an audience. My recent viewings have been just as much about enjoying the audience’s reactions as they have been about the film itself. The humor and timing are impeccable, and the movie maintains a relentless pace right up until the credits roll. – Scott Muller, 57, Mittagong, NSW
“Tuner” is likely the most endearing violent crime drama you’ll see this year. It flows at a light pace and, much like its smooth jazz soundtrack, rarely adheres to predictable rhythms. Director Daniel Roher is clearly unafraid to take creative liberties. –
