Mahesh Elkunchwar is a prominent figure in the realm of theatre, known for his impactful works that delve into societal truths, including the acclaimed Wada trilogy, Party, Holi, and Atmakatha. After writing his last play, Eka Nataacha Mrutyu (An Actor Exits) two decades ago, he shifted his focus to essays.
Originally published in 2005, Eka Nataacha Mrutyu has been translated into English and French, gaining significant attention though it had never been performed until now. For its stage debut, the play has been directed by the esteemed Pune director Atul Pethe, featuring a solo performance by actor Abhay Mahajan.
Presented as a poetic monologue, Eka Nataacha Mrutyu explores profound philosophical themes surrounding life and death. Even during a dramatic reading in Paris, audiences were captivated by Elkunchwar’s exploration of the essential question of existence. Elkunchwar reflects on his six decades in theatre, emphasizing his fascination with actors and their complex relationships with their roles, bodies, and others around them. He notes, “The actor’s relationship with their perishable body and their connections with those influencing them inspired my writing of Eka Nataacha Mrutyu.”
The play delves into the existential search for identity, revealing the hidden facets of an individual as they manifest in various forms, creating moments that are both poignant and deeply affecting. One reason for the play’s previous absence from the stage is the extensive preparation required by actors to grasp the numerous biblical and Upanishadic references embedded within Elkunchwar’s intricate text.
Pethe’s decision to direct this play was fueled by his admiration for Elkunchwar and his belief that the work remains relevant to modern audiences. He states, “Elkunchwar’s influence extends beyond Marathi theatre to Indian theatre as a whole. Directing one of his plays has long been a personal goal for me. Every director aspires to adapt works by notable playwrights, and I wanted to engage with this text and reinterpret it for today’s viewers.”
Abhay Mahajan, a talented actor experienced in both national and international projects and trained in physical movement, is well-suited for the role. Pethe remarked that staging this work required more than just a surface-level interpretation of the script; it involved months of exploration into the nuances of rhythm, movement, and theatrical expression. “We dedicated nearly two and a half months to grasp both the text and its underlying messages. The challenge was in translating the right movements, music, narration, and pronunciation into the performance,” Pethe explained.
The production also includes contributions from set designers Kushal Mahant and Shyam Bhutkar, sound designer Amar Deogaonkar, lighting designer Pradeep Vaidya, and voice performances by Anita Date and Nandu Madhav. Pethe described Vaidya’s work as vital to the production, highlighting the importance of lighting in enhancing the overall experience.
According to Pethe, Pune’s rich tradition of experimental theatre makes it a fitting venue for the play’s premiere. “Pune has a history of exceptional experimental theatre. Audiences are eager to witness something innovative and fresh, and I have great confidence in their appreciation,” he stated.
Eka Nataacha Mrutyu is set to be performed at The Box from July 9 to 11 at 7 PM, with additional performances on July 12 at 11:30 AM and 7 PM.
