Omar Badawy’s debut performance is a whirlwind experience, moving at such a rapid pace that audiences might miss key moments. The show oscillates through his life, including a memorable incident where he found himself unexpectedly involved in a Tommy Robinson march while heading to a costume party. However, the incisive writing ensures that the specifics remain engaging, which is likely why SNL: UK took notice of him.
Raised in Cambridge, Badawy explores the complexities of his identity as an Anglo-Egyptian Muslim. Attending a Christian school, he faced teasing due to his background, particularly during Nativity plays, where his culturally authentic portrayals of characters often clashed with his teachers’ expectations. Additionally, he recognizes that his articulate accent has facilitated his integration, leaving him feeling caught between cultures. On one occasion, a stranger even inquired about his ethnicity in order to use what he deemed the “correct racial slur.”
This feeling of being in limbo might explain Badawy’s struggle with making decisions. He prefers to be swept into situations rather than take a definitive stance. While at university, he began dating the only Arab girl in his circle, which has led him to face a significant choice. Although using the march as a central narrative device may appear overly simplistic, it ultimately leads to an emotionally resonant, romcom-like conclusion.
Although Badawy’s delivery can come off as slightly frantic and overly dramatic, he is still finding his comfort on stage. As he shares his aversion to leaving home, his sincerity makes the audience believe in his struggles. Despite this, he displays an emerging stage presence characterized by a distinctive voice that conveys emotional depth and generosity. His performance is filled with humor, ranging from anecdotes about managing his divorced mother’s romantic interests to discussing football as a means to diffuse tense situations. This hour-long show reflects on life’s unexpected turns, and it is evident that Badawy is on an upward trajectory.
Currently performing at Pleasance Courtyard in Edinburgh until August 30.
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