In the realm of summer action films, few have ventured into the realm of organ transportation with the same over-the-top, B-movie style as seen in “Runner.” This film features outrageous car chases and exaggerated violence, all while centering on the serious topic of organ donation.
The character of Hank Malone, portrayed by Alan Ritchson, is introduced as an exceptionally muscular fixer with a military background. Despite his intimidating presence, he now leads a quieter life on a houseboat in Australia, where he engages in various unusual tasks, including the delivery of exotic birds and learning French. However, the narrative quickly shifts from mundane to chaotic when he is tasked with transporting a donated liver from Brisbane to a young cancer patient in Gold Coast, alongside her stressed mother, played by Leila George.
Complicating this seemingly simple mission is the inclusion of Ben Bishop, a quirky character played by Owen Wilson, who constantly speaks in the third person and adds an element of comedic absurdity to the plot. Additionally, the film introduces a relentless cadre of cartel hitmen, who, reminiscent of the infamous dog from “One Tree Hill,” are fixated on the liver. The motivation behind their presence raises questions, particularly when Bishop humorously wonders why a cartel would be in Queensland, Australia. The film hints at the lucrative black market for rare blood-type organs, adding an intriguing layer to the story.
As the plot unfolds, viewers are treated to a series of unexpected twists reminiscent of telenovelas, with Ritchson delivering lines with a tough-guy demeanor. The film escalates in intensity, featuring a variety of weaponry and confrontations, while also offering insights into the geography between Brisbane and the Gold Coast. An exhilarating Range Rover chase propels the narrative forward for an engaging 98 minutes, with Rodrigo Santoro portraying a menacing cartel leader named Damian, whose emotional volatility adds depth to the character.
Director Scott Waugh, a former stuntman, expertly orchestrates the action sequences, making the car chases and fight scenes visually dynamic and exhilarating. The film’s violence possesses a video-game-like sensibility that sets it apart from typical Netflix offerings. While Ritchson and Wilson’s on-screen chemistry is adequate, it sometimes serves as a distraction from the film’s outrageous tone. Attempts to delve into deeper emotional themes feel somewhat superficial, as the film clearly prioritizes action and humor over heartfelt moments.
Despite its shortcomings, “Runner” succeeds in delivering an entertaining theatrical experience amidst a sea of lackluster streaming options. Its blend of humor and absurdity invites a smile, even if some emotional depth gets lost along the way.
“Runner” premiered in Australia on September 10 and is set to release in the US and UK on September 11.
