Choosing to revisit this unexpectedly enlightening, vividly atmospheric, and often humorous yet concerning docufictional comedy from 1981 proves to be a wise decision. The film chronicles the journey of the iconic ska-pop band Madness, tracing their evolution from their inception in 1976 to their significant breakthrough in the music charts. It portrays a group of aimless, broke individuals, immersed in their passion for music while exploring the gritty neighborhoods of North London, including Camden Town, Stoke Newington, and Crouch End. This backdrop leads to some amusing exchanges, such as a character remarking, “They’re all the same, these streets,” to which another responds, “That’s why they put signs on them.”
The mischievous protagonists navigate a series of odd jobs, perform at private events, and rely on unemployment benefits, often finding themselves in awkward situations with construction foremen and office managers. They travel to gigs in dilapidated vans reminiscent of Arthur Daley’s style, face potential confrontations with skinheads, and engage in chaotic disputes with their drummer during rehearsals. While this could have continued indefinitely, the introduction of Graham “Suggs” McPherson as the lead vocalist serves as a pivotal moment. His remarkable voice elevates the band’s performance, seemingly resolving their previous struggle with pitch. Suggs’ vocals blend seamlessly with the reggae-inspired rhythms of the keyboards, saxophones, and the band’s playful stage presence.
Given Madness’s reputation for whimsical music videos, famously directed by Dave Robinson, who also helmed this film, one might anticipate a lighthearted narrative akin to “A Hard Day’s Night.” However, the first half diverges from this expectation, presenting a stark black-and-white portrayal that resembles a Ken Loach film, with the band improvising their dialogues in a moody and melancholic manner. A scene featuring aspiring saxophonist Lee Thompson, who seeks lessons only for the teacher to discover his saxophone is stolen, encapsulates the struggle of pre-fame Madness, providing insight into their day-to-day experiences.
The film captures gripping comedic moments in a unique fashion. One notable scene shows Mike Barson and his friend Simon Birdsall at a London tube station, where they engage in a perilous lightsaber duel using discarded neon tubes. Additionally, there’s a thrilling visual gag demonstrating the consequences of attempting to drive a van laden with scaffolding poles under a low bridge, which is both dangerous and spectacular.
While the film offers little context regarding the musical landscape of the time, it does mention the band’s contemporaries, The Specials. However, if a feature film were to explore Madness’s story, it would likely include numerous references to the punk scene, the Sex Pistols, the sweltering summer of discontent, and Margaret Thatcher’s leadership. In contrast, this film focuses solely on Madness, which adds an element of authenticity, making it feel more genuine than a narrative filled with historical references. “Take It or Leave It” is refreshingly unpretentious and charmingly innocent.
The film will be available in cinemas across the UK and Ireland starting October 2.
