The allure of the theater, with its vibrant atmosphere and the energy of the audience, is undeniable for many. However, the reality of attending a performance often involves high ticket prices, dressing up, and managing hunger or early dinners, all while trying to engage with actors in a live setting after being accustomed to the more intimate experience of streaming performances at home. The late return after a show can also leave one feeling drained before bed.
It’s a sentiment likely shared by many, not just myself.
Yet, I challenge even the most cynical among us to not feel a spark of affection for “American Classic,” a delightful new comedy crafted by Michael Hoffman and Bob Martin. The narrative centers on Richard Bean, played by Kevin Kline, who returns to his hometown of Millersburg following the unexpected passing of his mother. Once hailed as a promising talent in American theater, Richard has recently become the focus of viral videos showcasing his drunken tirades against a New York Times critic after receiving a poor review for his portrayal in “King Lear.” His brother Jon (Jon Tenney) delivers the sad news, to which Richard quips, “Did she read the review?” Despite Richard’s flaws, Jon has long accepted him for who he is.
Jon has chosen to remain in Millersburg with his wife, Kristen (Laura Linney), while caring for their father, Linus (Len Cariou), who is beginning to show signs of dementia. They also manage the Millersburg Festival Theater, a venue established by the Bean family where Richard honed his craft. To Richard’s dismay, he discovers that the theater now primarily hosts dinner theater performances rather than original works. Jon has taken on the role of chef, while their daughter Miranda aspires to become an actress in New York, working as a waitress for now. Kristen, who juggles numerous responsibilities, also serves as the town’s mayor, overseeing events like the Concerned Parents’ Bookburning Summit.
In a fit of frustration, Richard decides to leave before the funeral, but his agent Alvy (Tony Shalhoub), reveling in the role, reminds him that he is still a viral sensation and should lay low. Consequently, Richard shifts his focus to organizing the funeral at the theater, turning the preparations into an extravagant affair. Jon points out the absurdity of the situation, leading Richard to a moment of clarity: “I’m sacrificing everything for cheap spectacle. I’m not trusting the material.”
This line encapsulates Richard’s character, revealing a deeper truth about the human experience. While one may not have elaborate stage setups at home, the yearning to express the significance of a loved one’s life through grief is universal. Ultimately, it is essential to trust in the memories shared, the love present, and the common humanity that binds everyone together.
The core of “American Classic” lies in this profound sentiment. Richard, remaining true to himself yet gradually gaining self-awareness, announces during the eulogy his intent to revitalize the theater by “producing, directing… possibly even starring in” Thornton Wilder’s classic, “Our Town.” Beneath its comedic surface, the show evolves into a thoughtful reflection on the impact of art. While the humor and character interactions are paramount, the series offers a heartfelt exploration of this theme, enhanced by the sincere belief in art’s transformative power, notably portrayed through a cast known for their theatrical backgrounds alongside their film and television roles.
The blend of charm, humor, and compassion in “American Classic” evokes comparisons to shows like “Ted Lasso” and “Schitt’s Creek,” while its nostalgic elements harken back to the days of Mickey Rooney and Judy Garland putting on shows. Just as those classics provided solace during challenging times, “American Classic” promises to deliver its own form of comfort in the present.
While one might critique the show for lacking groundbreaking originality, doing so overlooks the essential truth that such reconstructions are vital for societal connection. The aim is to weave familiar elements together in a way that remains fresh and entertaining, a task that is admirably accomplished in this series through its swift, assured, and thoughtfully crafted eight episodes.
In conclusion, perhaps it is true that the play truly is the essence of the experience.
“American Classic” is available for streaming on MGM+.
