{"id":3421,"date":"2026-04-06T09:59:01","date_gmt":"2026-04-06T04:29:01","guid":{"rendered":"https:\/\/newsdive.net\/index.php\/2026\/04\/06\/a-curated-collection-of-exceptional-contemporary-poetry-a-review-summary\/"},"modified":"2026-04-06T09:59:01","modified_gmt":"2026-04-06T04:29:01","slug":"a-curated-collection-of-exceptional-contemporary-poetry-a-review-summary","status":"publish","type":"post","link":"https:\/\/newsdive.net\/index.php\/2026\/04\/06\/a-curated-collection-of-exceptional-contemporary-poetry-a-review-summary\/","title":{"rendered":"A Curated Collection of Exceptional Contemporary Poetry: A Review Summary"},"content":{"rendered":"

Goyle, Chert, Mire by Jean Sprackland (Jonathan Cape, \u00a313)<\/strong><\/p>\n

Jean Sprackland’s sixth poetry collection features 45 unrhymed sonnets that intertwine into three captivating sequences. Set against the backdrop of the Blackdown Hills, a secluded area situated between Somerset and Devon, the poems delve into the tension between artistic expression and the essence of the landscape. The natural setting serves not merely as a scenery but as an integral part of the language itself: \u201ca drop swells on the lip of a leaf and falls \/ like a word being said.\u201d By eschewing the use of the first-person perspective, Sprackland invites readers to engage with the environment on a personal level. The experience is not filtered through a narrator\u2019s thoughts but is presented through elements like \u201cmossy silence,\u201d \u201cthe rumble of the combine harvester,\u201d and \u201cthe noise \/ of meltwater hurtling over stones,\u201d or even \u201cthe shattered pieces of yourself.\u201d The poems, marked by an unnamed ailment, reflect wounds without overtly displaying suffering; this subtlety allows for a heightened awareness of details such as \u201cpilgrim gnats attending the water\u201d and the mire’s \u201clong translation from gley to peat.\u201d Sprackland’s skill in shifting focus\u2014from the minute details of insects to expansive geological time\u2014demonstrates how consciousness navigates different scales. In contrast to many nature poems that tend to embellish or sentimentalize, this collection acknowledges the limitations of human influence, recognizing that \u201clanguage itself is prone to collapse.\u201d Yet within that collapse, meaning can still emerge; the work follows the \u201cspiky logic\u201d of nature as, for instance, \u201cthe sparrow enters \/ and follows\u201d the \u201csprawling holly.\u201d The steadfast sonnet form exemplifies a brave and structured response to illness and disintegration, instilling a sense of order where language might falter. This is a remarkably profound and lasting collection.<\/p>\n

The House of Broken Things by Kim Moore (Corsair, \u00a314.99)<\/strong><\/p>\n

In her latest collection, Kim Moore constructs a thoughtful framework to examine themes of intergenerational trauma and motherhood. At its most impactful, her signature confessional style shines through, as seen in works like \u201cThe Black Notices,\u201d which lists unidentified murdered women, and \u201cGiving Birth With Anne Sexton,\u201d where literary lineage intersects with corporeal dread. However, at times, this dedication to honesty can lead to poems that feel like instructional pieces; for instance, \u201cDamaged Cento\u201d outlines the \u201ceight stages\u201d of domestic homicide, while \u201cThe Trimesters\u201d chronicles the tumult of pregnancy. While the poems exploring motherhood are rich in emotion, they risk predictability as they navigate familiar subjects such as breastfeeding, bedtime rituals, and the fear of losing a child (\u201cI imagine someone taking her away, \/ or a car ploughing into the pram\u201d). It is a technical challenge to present these themes in a fresh light. Moore portrays the \u201cI\u201d as a site of raw, shared vulnerability, favoring emotional transparency over innovative lyricism.<\/p>\n

The Tree Is Missing by Shannon Kuta Kelly (Faber, \u00a312.99)<\/strong><\/p>\n

Shannon Kuta Kelly’s debut collection grapples with themes of geography and intimacy, marked by a sense of uncertainty. The poems navigate between Polish border towns and shifting seasons, emphasizing feelings of disconnection and dissociation as they linger around spaces described as \u201cthe place that is nowhere\u201d (train stations, mirrors, missing trees). This minimalist approach, characterized by unrhymed couplets and end-stopped lines, creates an atmosphere of stillness: \u201cTime always goes and everyone is waiting.\u201d While this restraint may verge on prose-like, it is offset by vivid details such as \u201ca mummified frog\u201d and \u201cthe smell of frying lardons.\u201d These atmospheric snapshots maintain a sense of detachment, keeping the reader at a distance rather than fully engaging with the haunting elements.<\/p>\n

Dog Star by Michael Symmons Roberts (Cape, \u00a313)<\/strong><\/p>\n

The theme of existential struggle between body and soul is a hallmark of Michael Symmons Roberts’ work, and in his ninth collection, this tension gains renewed energy through themes of grief and species extinction. He articulates, \u201cBut these words contain their negation. \/ For every goldfinch put into a poem, \/ one will vanish from the world outside.\u201d The collection highlights humanity’s destructive tendencies, pulsating with a \u201cwild voltage\u201d as it illustrates the collision between natural and urban environments, resulting in \u201ca brief coalescence of matter.\u201d A perceptive observer of nature, Symmons Roberts adeptly draws parallels between unexpected phenomena: \u201cOnly the mountain hare has guile and sorcery \/ to stand tall like a heron in a river.\u201d While some pieces might benefit from more concise crafting, \u201cDog Star\u201d showcases the poet’s \u201cungovernable electricity,\u201d revealing the force of \u201ca primeval singer with a modern \/ repertoire\u201d as he confidently expands his poetic range.<\/p>\n

Horses by Jake Skeets (Akoya, \u00a314.99)<\/strong><\/p>\n

In \u201cHorses,\u201d Jake Skeets reflects on the tragic loss of 191 wild horses during a severe drought in the Navajo Nation in 2018, channeling the voices of these haunted animals amid rapidly shifting \u201cmineral strata.\u201d The imagery evokes a desert landscape permeated by ghostly thunder, reminiscent of Eliot\u2019s \u201cThe Waste Land,\u201d but Skeets\u2019 lines possess a unique breath, juxtaposing indigenous cosmology with the realities of consumer modernity. \u201cWe become lightning sometimes and there \/ only then become song, carry our ache, its kick pull haul hull\u201d: each syllable conveys a separate exhalation and loss. The collection\u2019s most poignant grief is captured in lines that confront discomfort: \u201cthere is microplastic in my name \/ there is a drought in his,\u201d yet it transitions into moments of wonder: \u201cthere is a meteorite in my hand \/ a sparrow in yours.\u201d<\/p>\n

Kit Fan\u2019s latest poetry compilation is titled The Ink Cloud Reader<\/em>. His second novel, Goodbye Chinatown<\/em>, is set to be released in June.<\/p>\n","protected":false},"excerpt":{"rendered":"

Goyle, Chert, Mire by Jean Sprackland (Jonathan Cape, \u00a313) Jean Sprackland’s sixth poetry collection features 45 unrhymed sonnets that intertwine into three captivating sequences. Set against the backdrop of the Blackdown Hills, a secluded area situated between Somerset and Devon, the poems delve into the tension between artistic expression and the essence of the landscape. […]<\/p>\n","protected":false},"author":2,"featured_media":3420,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[212,19,522,88],"tags":[],"class_list":["post-3421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uk-books","category-sl-culture","category-uk-poetry","category-uk"],"yoast_head":"\nA Curated Collection of Exceptional Contemporary Poetry: A Review Summary - News Dive<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/newsdive.net\/index.php\/2026\/04\/06\/a-curated-collection-of-exceptional-contemporary-poetry-a-review-summary\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Curated Collection of Exceptional Contemporary Poetry: A Review Summary - News Dive\" \/>\n<meta property=\"og:description\" content=\"Goyle, Chert, Mire by Jean Sprackland (Jonathan Cape, \u00a313) Jean Sprackland’s sixth poetry collection features 45 unrhymed sonnets that intertwine into three captivating sequences. 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