On August 21, 2019, renowned singer Asha Bhosle shared a heartfelt moment on social media, posting a picture with Rahul Deshpande, a vocalist from Pune, and expressing her joy at their reunion with the words, “it has been a while, great bumping into you again today.”
Following the announcement of Bhosle’s passing on April 12, Deshpande reflected on that cherished photo, recalling, “She asked me if we could take a picture together, and I was overwhelmed with emotion. Today, as I look back, I find myself in tears, realizing that moment has become my most treasured possession. Standing next to Asha ji, a voice that transcended mere music to embody deep emotion, was an experience I will forever cherish. The world has lost a true legend, but for me, it’s the personal warmth of that moment that I will hold close.”
Another artist, Kathak dancer Pt. Nandkishore Kapote, also reminisced about his encounters with Bhosle, thanks to his mentor, Pt. Birju Maharaj. He recounted, “I had the honor of meeting Ashatai on multiple occasions, especially during a Kathak workshop led by Maharaj at the Nehru Centre in Mumbai. During a practice session, Ashatai arrived to meet Maharaj-ji and stepped onto the stage, captivated by a beautiful Kathak sequence known as Ghoonghat Gat-Nikas. I vividly remember her joining Maharaj-ji in the dance, mirroring his movements and hand gestures with incredible grace.”
Kapote expressed his awe at witnessing such a mesmerizing performance from both the Kathak master and Bhosle.
However, Bhosle’s journey in life was not without its struggles. Veteran journalist Sulabha Teranikar recalled her interview with Bhosle in 1993, highlighting the challenges she faced after losing her father at the tender age of nine. “Initially, she was reluctant to enter the music industry,” Teranikar noted. “After eloping with Ganpatrao Bhosle at 14 and moving to Mumbai, she encountered numerous hardships. Financial difficulties compelled her to pursue music, as her husband encouraged her, recognizing her beautiful voice. At just 15, she recorded her first song and soon became a mother.”
“Despite the many obstacles, she established her own identity in the music world, continuously learning and excelling. Even with her busy schedule, she dedicated time to her children and maintained a lovely home, skillfully balancing her professional and personal life,” Teranikar added.
Those who were close to her often spoke not only of her artistic talents but also of her genuine warmth and humility away from the spotlight. Kishor Sarpotdar, proprietor of the Poona Guest House, shared, “The deep connection between the Sarpotdar and Mangeshkar families has spanned three generations. To me, Ashatai felt like an aunt. She had a great love for cooking, particularly enjoying our signature dishes like Alu Bhaji, Masale Bhaat, and Ambadi Bhaji.”
Shounak Abhisheki, a classical vocalist and Bhosle’s nephew, remarked, “Her voice was a divine gift. As my aunt, she frequently visited our home, and I feel fortunate to have learned so much from her. During her recording sessions, she would often ask for my thoughts on her performance, demonstrating her respect for everyone, regardless of age.”
“She was a lifelong learner, always eager to explore new experiences. Though celebrated as a playback singer, her heart belonged to classical music, and she was devoted to her practice, continuing her riyaaz until she was 90,” he continued.
Renowned television host Sudhir Gadgil, who maintained a connection with Bhosle since 1980, shared, “I had the privilege of interviewing her 24 times, and each encounter was filled with her candidness. She had a wonderful sense of humor, especially when I mentioned her iconic song ‘Ka re durava,’ prompting her to invite me closer on stage with a smile.”
In Pune, the Film and Television Institute of India (FTII) reflected the collective sorrow felt by music and film enthusiasts. The institute commemorated Bhosle as a “timeless genius with a vibrant legacy.”
“Her musical journey is rich and profound, marked by immeasurable contributions to the arts,” the institute stated.
Dipanita Nath serves as a Senior Assistant Editor at The Indian Express, based in Pune. She brings a wealth of experience from her previous roles at prominent news organizations, including Hindustan Times, The Times of India, and Mint. Her reporting focuses on the intersection of culture, sustainability, and urban life, often highlighting hidden stories within Pune.
Recent notable articles by Nath include coverage on Pune’s winter climate challenges, citizen-led heritage initiatives, and significant environmental legal victories.
